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  • Simple
  • Architecture et Vie Urbaine
  • /
  • Nature Morte
  • /
  • Enjeux environnementaux et Climatiques
  • /
  • Photographie expérimentale
  • /
  • Voyage / Essai
  • /
  • Fine Art
  • /
  • Portrait
  • /
  • Mode et Beauté
  • /
  • Faune
  • /
  • Documentaire / Reportage
  • /
  • Photographie de Rue
  • /
  • Procédé Ancien
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  • Téléphone Portable
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  • Photographie conceptuelle
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  • Photomanipulation et IA
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  • Noir et Blanc


Série - FotoSlovo 2025 - Category « Fine Art »

Mention Honorable

Mlle  Samaia  Betina (Brésil)
@betinasamaia
Amazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s End

Amazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s EndAmazon - The Green' s End


Amazon - The Green' s End

In each immersion in the Amazon — among rivers, leaves, and birdsong — I felt both enchantment and unease. I returned not only with images, but with a growing anguish over the violence inflicted on this vast, vital forest.

The series Amazon – The Green’s End was born from that discomfort. I used an infrared camera, which erases green — the color of life — and replaces it with pinks, whites, and reds. This is more than a technique; it’s a visual metaphor for the forest’s disappearance.

The absence of green becomes a silent warning. This forest, rich in culture and biodiversity, is losing not only its color but its soul. Photography, for me, is not just about recording — it’s about revealing. Infrared allows me to explore a dreamlike Amazon, suspended between presence and absence.

These images are not exact portraits, but visions of what the forest is becoming. Their beauty carries a paradox — one of wonder and alarm. Amazon – The Green’s End is a call to look closer, feel deeper, and act before it’s too late.



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