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CONNEXION S'INSCRIRE
  • FOTOSLOVO WINNERS
  • 2026
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  • 2025
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  • 2024
  • Série
  • Architecture et Vie Urbaine
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  • Nature Morte
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  • Enjeux environnementaux et Climatiques
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  • Photographie expérimentale
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  • Voyage / Essai
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  • Fine Art
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  • Portrait
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  • Mode et Beauté
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  • Documentaire / Reportage
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  • Photographie de Rue
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  • Procédé Ancien
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  • Téléphone Portable
  • /
  • Photographie conceptuelle
  • /
  • Photomanipulation et IA
  • /
  • Noir et Blanc

  • Simple
  • Architecture et Vie Urbaine
  • /
  • Nature Morte
  • /
  • Enjeux environnementaux et Climatiques
  • /
  • Photographie expérimentale
  • /
  • Voyage / Essai
  • /
  • Fine Art
  • /
  • Portrait
  • /
  • Mode et Beauté
  • /
  • Faune
  • /
  • Documentaire / Reportage
  • /
  • Photographie de Rue
  • /
  • Procédé Ancien
  • /
  • Téléphone Portable
  • /
  • Photographie conceptuelle
  • /
  • Photomanipulation et IA
  • /
  • Noir et Blanc


Série - FotoSlovo 2025 - Category « Photographie expérimentale »

Mention Honorable

Mr  Michal  Zahornacky (République tchèque)
@michal_zahornacky
CURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by Water

CURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by WaterCURVES – Shaped by Water


CURVES – Shaped by Water

CURVES is a series of underwater portraits created without any digital manipulation. Each photograph is captured through the moving surface of water, which physically deforms human face and body. The result is not a distortion added in post-production, but a real, tangible effect caused by the medium itself.

This process becomes a metaphor for identity in the modern world — how our sense of self is constantly shaped, bent, or even broken by external pressures. By surrendering control to the water’s movement, the photographer allows chance and natural forces to co-create the final image.

The series stands as a visual resistance to the culture of perfection. In CURVES, imperfection is not corrected — it is embraced, celebrated, and transformed into a new kind of beauty.



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